Is it impossible to enjoy Game of Thrones because of these narrative plot holes? The entire series has been building to this moment; again, the White Walkers introduced us to the show to begin with, they have always been heralded as the ultimate battle, and we literally watched the Night King resurrect a dragon and use it to blow down an 8,year-old magical wall to cap off Season 7 — probably the most magic-infused moment of the entire series.
The only thing it did specifically mention was that Bran was being hunted by the Night King, and that was a confrontation that could not be avoided. And yet, it mostly was. Bran, as a Stark, could naturally warg something that is usually ignored , and as the Three-Eyed Raven he has access to the weirwood network of knowledge. So what did he do during the pivotal battle?
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He hopped into some ravens and flew around until the Night King showed up. Now, there was a moment when the Night King seemed to give Bran a look of recognition or hesitation, which could still fuel theories that this connection is meaningful in some way. There was never a moment when the Night King made clear his intentions for Bran beyond death, which he could have accomplished far more easily than wielding the sword himself.
So why did he do that? Did he need to? If so, why? Arya going to Braavos and training at the House of Black and White is a distressing storyline; in the end she becomes No One. She is a faceless killer. To make it all less upsetting, Arya never really became No One. She reverted back to Arya Stark of Winterfell — although with badass fighting skills gleaned from the time in Braavos. Is that more emotionally satisfying? But if Syrio Forel and Melisandre are both tied in with the religion of Essos, Mel returning to Winterfell and giving Arya that key pep talk feels like a connection that was again lost in Braavosi lore that was never fully explored.
We never knew what her role in this battle or what her connection with the Night King was, or how Bran fits into all of this for instance, Bran and Mel never interacted. On the flip side, she had previously erroneously believed it was Stannis Baratheon who could be this prince, and in the end, it was Arya who seems to have fulfilled this prophesy.
Does that mean anything? Yet fantasy contains multiple key elements. Read the following simple breakdown of elements of the fantasy genre and tips to write magical, fantastical tales:. Many fantasy novels involve adventure as a key feature. Characters may discover portals to other worlds or discover hidden magic, wonder and surprise in our own world. Novels from C. Characters adventure through worlds where the impossible is possible.
Magical wands may weave spells that defy the laws of physics as we know them. The word magic comes from the Greek magikos , from magos. This explains how magic, in fantasy, is often associated with learning, with complex books and rituals. Magic has its roots in the idea of arcane knowledge the ordinary person cannot access.
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Magic in great books takes many forms. The apprentice wizards in J. This shows an important element of fantasy : Words have power. It ties back to the idea of priestly learning, of the idea that magic is a wonderful yet potentially deadly knowledge. Adventure does indeed take us to places that seem remote from daily life, full of new joys and discoveries or dangers. Fantasy is full of these elements.
Characters take new risks, whether it be riding into battle to confront a mysterious, supernatural foe, or simply trying a magical delicacy in a fantastical sweet shop. Themes of struggle and mastery are found in many forms throughout many fantasy novels. This process of struggle and mastery is often shown in character development.
Sometimes characters use power irresponsibly. Struggle in fantasy fiction includes:. As with many other large genres of fiction, fantasy has many subgenres and types.
- What are the main elements of fantasy?.
- 1. First element of fantasy: Magic.
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For example, the trope of lavish fantasy world-building. In Discworld, the world is a disc supported by four elephants standing on the back of a giant turtle swimming through space. Within each of these subgenres, magic and parallel worlds function in many different ways. There are also different ways the magical element of fantasy functions. In her book Rhetorics of Fantasy , Farah Mendelsohn defines four core types of fantasy, based on how the non-realistic element of the story appears:.
Subgenres and types of fantasy fiction can supply rich ideas. Read different subgenres and types and use your growing knowledge to:. Because of its exploration of the otherworldly and the supernatural, place is a key aspect of many fantasy novels. Some places are created through magic. The lion Aslan sings the Kingdom of Narnia into being in C. A Christian mythology parallel to the Creation in the Bible. By contrast, Jadis, the White Witch, destroys a whole world by speaking a powerful word.
Tolkien, in his fantasy cycle, gives each place its distinctive character. The land of the elves is full of majesty and a timeless sense of peace. Mordor is full of volcanic, dark rocks and treacherous terrain. In fantasy, world-building is an important process, particularly if you want to make your world believable to the reader. Rowling, for example, spares us no detail, from where Wizards buy their wands and do their banking, to how mail is delivered to magic students. Yet each of these world details is also woven in so that it is relevant to whatever characters are experiencing at the time.
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- 2. A well-developed setting.
- Euclid's Elements, Book I.
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There are many more elements of fantasy, yet the above gives a basic overview of common features. Think about power, learning, adventure, and conflict. Give place its own intriguing character.
1. A magic system
And remember to give your reader reasons to wish, wonder and marvel. Need help writing a compelling fantasy story or series? Join Now Novel to brainstorm details.