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GELOBET SEIST DU
Now that you have this PDF score, member's artist are waiting for a feedback from you in exchange of this free access. Please log in or create a free account so you can :. Do not see this window again for the duration of the session. Dietrich Buxtehude is probably most familiar to modern classical music audiences as the man who inspired the young Johann Sebastian Bach to make a lengthy pilgrimage to Lubeck, Buxtehude's place of employment and residence for most of his life, just to hear Buxtehude play the organ. But Buxtehude was a major figure among German Baroque composers in his own right.
Though we do not have copies of much of the work that most impressed his contemporaries, Buxtehude nonetheless left behind a body of vocal and instrumental music which is distinguished by its contrapuntal skill, devotional atmosphere, and raw intensity. He helped develop the form of the church cantata, later perfected by Bach, and he was just as famous a virtuoso on the organ.
Gelobet seist du, Jesu Christ, BWV 697 (Bach, Johann Sebastian)
This chorale prelude sets one of the principal Christmas tunes in the Lutheran liturgy. The text to verses 2 through 7 was written by Martin Luther. The text to the first verse reads as follows, "Praise be to you Jesus Christ, that you were born as a man from a virgin, it is true; That is why the hosts of angels rejoice.
Also Buxtehude does not treat the chorale melody in the same manner as most of his other chorale preludes. Rather than placing the chorale tune in the soprano, he tosses it around in all of the voices in the same manner as in the chorale fantasies of the previous generation. An ornamented version of the first phrase of the chorale appears in imitation in all of the voices for the first 36 measures of the piece. At measure , the second phrase of the chorale appears in the pedal against free spinning counterpoint in the other voices.
Starting in measure 71 the third phrase of the chorale appears in the bass and soprano in alternation.
Bach, Johann Sebastian / Gelobet seist du, Jesu Christ BWV 91 / Bärenreiter Verlag
From measure Buxtehude plays with the fifth phrase of the chorale melody in a contrasting triplet rhythm with echo effects between two different divisions of the organ. The last 15 measures of the chorale prelude make brief reference to the sixth and final phrase of the chorale and pin a spectacular little coda on the end of the piece.
Selections; arranged Other Title: Vater unser im Himmelreich. Gelobet seist du, Jesu Christ. Wachet auf, ruft uns die Stimme. Subjects: Orchestral music, Arranged -- Scores and parts. String orchestra music, Arranged -- Scores and parts. Chorale preludes Orchestra , Arranged -- Scores and parts. Music -- Manuscripts. Ormandy, Eugene, -- Manuscripts. Notes: Originally for orchestra; 2nd work arranged for string orchestra.
Cover title. One copy ink manuscript; one copy pencil holograph.
For Solo (instrumental or vocal part)
Local notes: This set of scores and parts was created by the library of the Philadelphia Orchestra during the tenure of conductor Eugene Ormandy. It consists of: 1 pencil holograph score in three sections 7 p.
Includes original folder. Ink manuscript score marked by Eugene Ormandy for performance with the Philadelphia Orchestra; markings include durations, and in Wachet auf indications for chorus entrances.